Skip to main content

Dua Lipa Faces Second Copyright Infringement Lawsuit Over Hit Song Levitating

by Nadia El-Yaouti | Mar 15, 2022
Dua Lipa posing with a Grammy Award at a red carpet event.
Photo Source: Dua Lipa poses with the Grammy she won for album ‘Future Nostalgia.' (Kevin Mazur/Getty Images)

In the span of one week, Singer Dua Lipa has been hit with two lawsuits claiming copyright infringement over her 2020 hit, Levitating.

Lipa’s hit comes from her 2020 album, Future Nostalgia, and the single has become a staple in modern pop culture after landing the number two spot on Billboard’s Hot 100. The single later topped the list of Hot 100 songs of 2021. Lipa’s Levitate also landed her the accolade of having the longest-running top 10 song by a female artist.

As with many musical hits, it wasn't long before controversy around the singer’s top track began to swirl. The first lawsuit comes from the Florida reggae band Artikal Sound System. In their complaint, the band alleges that Lipa plagiarized the tune from Artikal Sound System’s 2017 hit song Live Your Life.

On March 4, a second lawsuit was filed by songwriters Russel Brown and Sandy Linzer. The songwriters accuse Lipa of copying the 1979 disco song, Wiggle and Giggle All Night, and the 1980 song, Don Diablo. The duo alleges that Lipa violated their copyrights in the verse of the song, Wiggle and Giggle All Night.

In the complaint, Brown and Linzer make mention of the song’s use on popular music and dance sharing platform TikTok. They explain that their intellectual property, which was used without permission by Lipa, was key to Levitating’s success. The lawsuit details, “Because video creators frequently truncate the already brief snippets of sound on TikTok, the signature melody often comprises 50% or more of these viral videos.”

Brown and Linzer seem to poke a bit of fun at the situation as their complaint explains, “Defendants have levitated away plaintiffs’ intellectual property,” adding, “Plaintiffs bring suit so that defendants cannot wiggle out of their willful infringement.”

Under federal copyright protection law, authors are given “exclusive property rights in the work, such as the sole right to reproduce, adapt, distribute, display and perform the work.” The Copyright Act details that “[i]n no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.” In short, copyright law protects the “expression,” but not the “idea” of a work.

Under copyright protection, the standard of “substantial similarity” is used to determine whether copyright infringement has taken place. Under this standard, a plaintiff must show that the defendant, Lipa, had access to the plaintiff's work and that the defendant's work is substantially similar to the protected parts of a piece of work.

Different tests go into effect to determine if two works are substantially similar. While this process may seem cut and dried, in the music industry there are several factors to consider, especially the notion that “coincidental similarity” is more prevalent than many might think. Despite this, the idea of “substantial similarity” is something both lawsuits claim against Lipa.

Lipa has not publicly responded to the lawsuits. However, in her past interviews, Lipa shared that she drew inspiration for her music from historic music. Brown and Linzer’s lawsuit highlights this, explaining that Lipa “admitted that she deliberately emulated prior eras.”

Artikal Sound System also alleges in their lawsuit that because Lipa's hit was so similar to their own 2017 track, it was “highly unlikely that Levitating was created independently.”

Share This Article

If you found this article insightful, consider sharing it with your network.

Nadia El-Yaouti
Nadia El-Yaouti is a postgraduate from James Madison University, where she studied English and Education. Residing in Central Virginia with her husband and two young daughters, she balances her workaholic tendencies with a passion for travel, exploring the world with her family.

Related Articles

Olivia Dean smiles at a red-carpet event wearing a strapless yellow dress with blue floral patterns.

Olivia Dean Song at Center of Copyright Lawsuit Over Bill Withers’ ‘Just the Two of Us’

Olivia Dean’s song “I’ve Seen It” is at the center of a new copyright lawsuit claiming the track copied the distinctive melody of Bill Withers’ Grammy-winning “Just the Two of Us.”Mattie Music Group filed the complaint on October 1, 2026, in federal court in Los Angeles against Capitol Records, Universal... Read More about Olivia Dean Song at Center of Copyright Lawsuit Over Bill Withers’ ‘Just the Two of Us’

Ray-Ban storefront sign mounted on a red facade.

Warner Music Sues Ray-Ban Owner Over 427 Songs Used in Social Media Ads

Warner Music Group has sued the parent company of Ray-Ban and Oakley, accusing the eyewear giant and several affiliates of using 427 copyrighted songs and recordings in social media advertisements without permission, potentially exposing the companies to more than $64 million in statutory damages.Filed October 9, 2026, in Manhattan federal... Read More about Warner Music Sues Ray-Ban Owner Over 427 Songs Used in Social Media Ads

Stella Lefty performs onstage, extending a microphone toward the audience under red lighting.

Stella Lefty Gave Noah Kahan ‘Boston’ Credit to Avoid Legal Fight Over ‘Stick Season’

Stella Lefty gave Noah Kahan a songwriting credit on her breakout hit “Boston” after his representatives raised concerns about its similarity to “Stick Season,” a decision the rising country-pop singer says was made to avoid a legal fight.Kahan did not take part in writing “Boston.” Lefty says his representatives contacted... Read More about Stella Lefty Gave Noah Kahan ‘Boston’ Credit to Avoid Legal Fight Over ‘Stick Season’

Legal term

Search articles and Legalpedia

Subscribe to Newsletter