Summer Walker is facing a lawsuit seeking at least $50 million after declaring she was walking away from her Interscope Records contract, with the Universal Music Group-owned label claiming the R&B singer still owes two studio albums and an EP under a deal she signed nearly a decade ago.
In a complaint filed October 9, 2026, in Los Angeles County Superior Court, Interscope alleges Walker failed to fulfill her recording obligations after invoking a California law that generally limits personal-services contracts to seven years. The label is seeking damages for recordings it says she failed to deliver, while Walker's attorney maintains that she has the legal right to end the agreement and intends to challenge the claims.
The dispute began when Walker notified Interscope in August that she would stop providing services under her recording agreement effective August 27, 2026. Her notice invoked California Labor Code Section 2855, commonly known as the seven-year rule, which generally prevents personal-services contracts from binding workers beyond seven years.
The law contains a provision specifically addressing recording artists. While musicians may end their personal-service obligations after the statutory period, record companies can seek damages if an artist leaves without delivering the number of recordings required under the contract. Such claims must be filed within 45 days of the termination date specified in the artist's notice.
Interscope's October 9 filing came shortly before that deadline expired, allowing the label to preserve its claim for damages. The statute provides a possible basis for financial recovery even when the artist can no longer be required to continue recording under the original agreement.
According to the complaint, Walker signed with Interscope in 2017 and later agreed to amendments requiring five studio albums. The label counts Over It (2019), Still Over It (2021) and Finally Over It (2025) toward that obligation, leaving two albums outstanding.
Interscope also alleges that Walker owes an additional EP. Her earlier projects Last Day of Summer and CLEAR were classified as preliminary releases under the agreement and therefore did not count toward the five-album commitment, according to the label.
The company claims that the undelivered recordings would have generated substantial profits and that Walker's decision to stop working under the contract deprived it of those expected earnings. Interscope is seeking no less than $50 million, plus prejudgment interest, legal costs and any additional relief the court considers appropriate.
The amount remains a demand rather than an established loss. To recover damages, Interscope would need to demonstrate that its claim satisfies the statutory requirements and substantiate the financial harm allegedly caused by Walker's failure to deliver the remaining recordings.
The lawsuit also renews scrutiny of the agreement Walker signed early in her career. An initial version reportedly provided a $110,000 advance and a 16% royalty rate on her first two albums, subject to recoupment of advances and other contractual expenses.
Music industry professionals who previously reviewed versions of the agreement criticized its restrictive terms and the uncertainty surrounding how long Walker could remain obligated to the label. Those concerns have accompanied public discussion of her recording deal as her career has grown.
Walker's attorney, Keith Moten, disputed Interscope's position and said the singer intends to defend her right to terminate the agreement. He expressed disappointment that the label had chosen litigation and said her legal team plans to pursue appropriate relief, including a possible countersuit.
Moten also indicated that Walker remains open to a negotiated resolution that respects both parties' interests. He said she remains focused on her music, children and fans while the dispute proceeds.
Interscope similarly expressed hope that the parties could reach an agreement. A label spokesperson said ongoing negotiations had not produced a resolution before the statutory filing deadline, making the lawsuit necessary to preserve the company's contractual rights.
The label maintained that it respects Walker and her work and would welcome the continuation of their professional relationship.
The case now centers on the financial consequences of Walker's decision to invoke California's seven-year rule. The statute may allow her to end her recording services while preserving Interscope's ability to pursue qualifying damages for undelivered albums.
Walker has indicated that she will contest the lawsuit and may bring claims of her own. The court has yet to determine whether Interscope is entitled to compensation or whether the claimed $50 million reflects recoverable losses under the agreement and California law.